Project title Factors of identifying, discover or re-discover a landscape Project Aims The project proposes to analysis key factors for identifying, discover, re-discover or assigning meanings/new meanings… Read more “Critical Publication MAI130 Proposal”
Category: Uncategorized
Negotiated Project MAI120 Proposal
Project title Undefined blank land in-between identified landscapes Project Aims The project aims to explore the surround wilds of Falmouth, identify natural/cultural/historical landscape and blank, undefined land… Read more “Negotiated Project MAI120 Proposal”
The Transformation of Cornish Landscape Identity in the Perspective of Landscape Painting
I felt that this essay is essential to future academic progression as it has determined the field of my interest and major research direction. The essay was… Read more “The Transformation of Cornish Landscape Identity in the Perspective of Landscape Painting”
Reflective Journal Week 49, 30 Aug – 5 Sep 2020
Rethinking the Quoit related theories inspired me a lot. Two extracts that originally prepared for the essay has become particularly interesting. [As Scott et al. (2009) reason,… Read more “Reflective Journal Week 49, 30 Aug – 5 Sep 2020”
Periodic Summary, Week 34 – 37 2020
The past few weeks of Unit 3 were spent on the continuous experimenting with salt, string and some natural objects. It was aimed to connect my research… Read more “Periodic Summary, Week 34 – 37 2020”
Symposium Unit 2
A Brief Discussing Regarding the Lost of Cornish Identity Art Colonies on Penwith Peninsula and Their Substantial Impact The article briefly introduced the establishment of Cornish identity… Read more “Symposium Unit 2”
Artist Statement
My appreciation to the English countryside’s idyllic landscape and traditional English painting was inspired by my first field trip to west Cornwall in 2014. Before the real… Read more “Artist Statement”
Reflective Journal Week 29, 12 Apr – 18 Apr 2020
Random thought: How are you going to depict Cornish landscape? The phase historians use to talk about indigenous painters like Alfred Wallis and Peter Lanyon is always… Read more “Reflective Journal Week 29, 12 Apr – 18 Apr 2020”
Reflective Journal Week 23, 1 Mar – 7 Mar 2020
Some thoughts from 2nd Feb’s seminar given by Mr Mark Fairninton were finally organised. Subjective Manipulation Subjective Manipulation is the process of over-lay the painkter’s own ideas/understanding/emotional… Read more “Reflective Journal Week 23, 1 Mar – 7 Mar 2020”
Symposium Unit 1
From Zuheros to Cuckmere A Briefed Discussion of Regional Landscape Painting The question that aimed to be explored in Unit 1 was about how a place that… Read more “Symposium Unit 1”
Reflective Journal Week 14, 29 Dec – 4 Jan 2020
I cannot tell whether it was good or not. I gave up the “social” in the three S concept and selected to focus on “study” and “sleep”.… Read more “Reflective Journal Week 14, 29 Dec – 4 Jan 2020”
Reflective Journal Week 13, 22 Dec – 28 Dec 2019
In Reflective Journal Week 2, I wrote about the Chinese people’s obsession with the ownership of a piece of land. “I guess my nostalgia feeling regarding the… Read more “Reflective Journal Week 13, 22 Dec – 28 Dec 2019”
Tootings before Autumn, Sept 2019
After receiving the offer from Camberwell College of Art in Feb, I should have entered a period of stable work-producing and self-learning. What I did not foresee… Read more “Tootings before Autumn, Sept 2019”
De Stijl 93, A Vivid History Lesson, May 2018.
I received a commission of 10,000 RMB for a painting to decorate a wedding apartment. SO, here we go. Instead of immediately starting designing a complex composition,… Read more “De Stijl 93, A Vivid History Lesson, May 2018.”
Ce Chen's studio of art 